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Doomsday Full Movie Hd 1080p Download
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Opelyvalo
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356 weeks ago
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A lethal virus spreads throughout Scotland, infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in London. An elite group of specialists, including Eden Sinclair, is urgently dispatched into Scotland to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare.
Back in 2008, the uncontrollable and utterly devastating Reaper Virus smites Scotland, claiming thousands of innocent lives, and inevitably, putting the land in quarantine. However, almost three decades later, in 2037, the lethal virus manages somehow to re-emerge, and as a result, the Prime Minister summons a team of disposable heroes led by Major Eden Sinclair to retrieve possible survivors, and hopefully, a radical cure. But no one really knows what horrors remain hidden deep within the scorched and unstable quarantine zone.
I don't typically like to leave wholly negative reviews but what the crap this movie was all kinds of terrible. The writing was seriously sub-par which dragged the already meh story down a few hundred notches, the acting varied from just okay to awful, and the idea itself was bad.<br/><br/>First it seems like it's going to be an epidemic movie to the tune of 28 Days Later, or maybe the Resident Evil franchise. Whatever the plague is, it's fast and ugly. We fast forward in time somewhat while listening to an overly dramatic and irritating voice-over into a futuristic dystopia. So that's our movie right? <br/><br/>WRONG! Suddenly we dive into a coke-induced Mad Max apocalypse, where people have been cut off for 30 years from all contact with the outside world yet still manage to gather hairstyling supplies so they can gel and dye their enormous mohawks. Did I mention they eat people? Because they mention they eat people, about half a hundred times. We get it, these Road Warrior rejects are cannibals. We didn't need the several minutes of them cooking and eating one of the soldiers to know that. <br/><br/>So these are our antagonists. But wait no! Our headstrong heroine escapes the band of multicolored man-eaters only to find a renaissance fair has established itself in a nearby castle, run by one of the most obviously evil doctors I've ever seen and his scowling henchman. They host a Gladiator style fight with the protagonist and a really bulky armored dude, which of course she wins because she's the protagonist and in the process of escaping one of her fellow soldiers(whom the directing seems to think is her love interest by the way they shoot the scenes) gets pumped full of arrows thanks to this universe's version of the Sheriff of Nottingham or whatever he's supposed to be. So our knock-off Alice avenges him and-oh wait no she doesn't. They just leave. They don't bother to take out the King Arthur wannabe or anything.<br/><br/>Now it's the return of the punk rock people-eaters, as they somehow manage to gather together the prop cars that were abandoned Beyond Thunderdome and there's a car chase with far too many explosions and not enough reason why or how they're here.<br/><br/>Finally the REAL VILLAIN is revealed! Oh no the obviously evil guy with the dark sunglasses and government connections who has been dropping hints the whole movie about how he orchestrated the quarantine breech was behind it all? You don't say. But our girl records him with her prosthetic eye-cam(which was the only part of the movie I liked) and thus the day is saved! Our hero can find her mom! Or not, maybe she'll find a decapitated head and get herself elected queen of the cannibals. THE END.<br/><br/>Everything that is good about this movie is cribbed from better movies. There's a fine line between paying homage and ripping things off and Doomsday staggers drunkenly all over the line before sliding over it like it's home plate. Neil Marshall what happened man? I liked Dog Soldiers. The Descent was fine for the first half of the movie. Why is spew out this garbage? Bob Hoskins is wasted in his small role as Eden's mentor and Alexander Siddig is even more wasted as a character whose sole purpose seems to be to kill himself so a suicide can be carefully shot. Why?<br/><br/>Don't watch this movie. Watch Road Warrior instead. Watch Gladiator instead. Watch anything else but this movie.
What a waste of time! And I, for one, am really fed up with the modern-times cliché "Don't expect to get much out of this movie, just go and enjoy your time, have some fun". How am I expected to enjoy my time, if the movie is a very poor blend of many films past, with nothing new? I HAVE watched those past great films, even if only action-packed they might have appeared to be, enjoyed them very much, thank you, and they, in the end, catapulted themselves into the cult classics that we love so much, best examples of their genre which are to be viewed over and over, anyway.<br/><br/>This film, however, has absolutely nothing new or meaningful to add to the mix. It is as if the producers said "let's take these details out of that movie, and those details out of this one, and make a film… Ooohhh, yeeess, yesssss, the sweet smell of the piles of money the unsuspecting movie-goers will pay us"… I mean, this is ridiculous! And I don't mean that because this is a raw action film and not a decent drama or comedy or historical or a musical piece with a great artistic value. I mean that because this movie just wastes my time with details that just don't fit together, looks like a poor collage, and rips of many good films of the genre.<br/><br/>My suggestion to you is, if you want to empty your mind, have some fun and pass some time, at least do it with a film, action or not, which deserves your dough, and doesn't cheat you this cheaply! (I am giving this movie 4 stars not because of the plot, but because of the occasional good cinematography and effects, nothing more!)
Marshall reveals himself to be a terrific showman of chaos and comic savagery. This is Baz Luhrmann's "Mad Max."
Thirty years after Britain successfully walled off Scotland to contain the spread of the Reaper virus, a particularly lethal virus that has infected millions, England is devastated to find that the virus has popped up again in London. Consequently, Major Eden Sinclair (<a href="/name/nm0593961/">Rhona Mitra</a>) of the Department of Domestic Security is asked to lead a team of operatives into the quarantine zone to find medical researcher, Dr. Marcus Kane (<a href="/name/nm0000532/">Malcolm McDowell</a>), who was last known to be working on a cure …that is, if they can survive the survivors who have taken over Scotland. Doomsday is based on a screenplay by British screenwriter Neil Marshall, who also directed the film. Sinclair, Ben Stirling (<a href="/name/nm0604418/">Darren Morfitt</a>), and Cally Kane (<a href="/name/nm1769728/">MyAnna Buring</a>) are intercepted by a gunship carrying the new Prime Minster, Michael Canaris (<a href="/name/nm0641244/">David O'Hara</a>). He asks for the cure, and Sinclair produces Cally, explaining that she is immune to the virus and that they can use her blood to make a vaccine. Canaris informs Sinclair that he has no intention of producing the cure just yet. He would rather withhold it until such time as the virus has killed off the infected as a form of population control. Canaris invites her to come back to London with him, but Sinclair chooses to remain in Scotland and look for her mother at the address written on the note. Sometime later, Nelson uses that address to fly into the quarantine zone and locate Sinclair. She tells him of Canaris' plan and gives him a recording she made with her artificial eye of their conversation, giving Nelson all the proof he needs to bring down Canaris. In the final scene, she returns to Glasgow where she tosses Sol's (<a href="/name/nm0176660/">Craig Conway</a>) head to the punk cannibals, saying, "If you're hungry, try a piece of your friend." Realizing that Sinclair has defeated their leader, they begin cheering her as his replacement. The film gives three possibilities: (1) She stayed to look for her mother, (2) she stayed because she knew the hot zone was free of the virus but that London would soon be raging with it, and (3) she stayed to build an army amongst the punks to protect her should Canaris come looking for her. Crowd parties at Sol's show - "Dog Eat Dog" by Adam and The Ants.<br/><br/>Sol dances onstage with strippers - "Good Thing" by Fine Young Cannibals.<br/><br/>Sol dances onstage with men in kilts - "The Can Can" by Ariel Rechtshaid.<br/><br/>Talbot is brought out to the crowd - "Spellbound" by Siouxsie and the Banshees.<br/><br/>Sol's gang chases Sinclair, Stirling, and Cally on the road - "Two Tribes" by Frankie Goes to Hollywood.<br/><br/>End credits - "Club Foot" by Kasabian. The film's theatrical cut was rated R by the Motion Picture Association of America (MPAA). Later, an unrated version was released on DVD and Blu-ray disc, adding more story to the film.
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Opelyvalo replied
356 weeks ago